I am working on a very long post about the Boston Public Library, but that work is throwing off some sparks that merit some short posts. One of those has to do with the Enneagram. I’ve mentioned before that Gurdjieff and the Fourth Way formed some of the backdrop to my youthful forays into matters mystical and magical, so I came in contact with the Enneagram a while ago. As I ws thinking about the image of the severed head, a new story on the Enneagram popped up alongside another in my news feed.
I’ve been thinking about what exactly a geomantic chart tells you about a spirit or spiritual issue a bit lately. I use geomancy a good bit in my spiritual practice as a means of identifying and understanding with what I am working, so the question is fairly important. I want to talk about this a little bit. That means wandering a bit into some talk about spiritual typologies, so please keep in mind some of my caveats about that sort of thing.
Some of my posts about things like the relationship of texts and experience are informed by this geomantic work. More than once, I have had to prune back my ideas about a spirit or a working because the conceptual tools I brought to the work from my geomantic study cast a speculative shadow that I mistook for the spirit or work. I have also retooled my geomantic understanding so that it seems better calibrated to the sort of work I’m undertaking.
There are a few geomantic charts that I have taken over the years to which I will return. They were the ones taken at key moments or directed toward understanding important elements of my spiritual work. Sometimes, when I feel like I need to pay especial attention to one, I will recopy it and walk through the mathematics of it. It sounds silly, I know, because the chart is right in front of me, but the act of thinking it through again with eye and hand deepens my appreciation of what is going on in the chart.