As I am talking about the sefirah, the Sefer Yetzirah, the book of Revelation, and Pharaoh’s spiritual function, I am also becoming increasingly aware of a difference in scale between this work and the work with which I began this blog. I named it Disrupt and Repair to reflect the texture of spiritual processes with which I was engaged. Following them out to my current work, I can see a family of practices centered upon formation and demolition.
Various iterations of this post have been bumping around my drafts folder for a bit and after my last post where I complained a little about the popular use of ‘culture’ I feel like it is time to work the draft into a proper post. I want to talk a little about truth, teachings, culture, and appropriation.
This begins for me with W. E. B. DuBois and his observation about the nature of the color line. While he was keenly aware of its reality and the necessity to confront it in its many manifestations, he was also clear that the color line was something of a lie. Or, to quote Leonard Cohen, that it was “real, but it ain’t exactly there.” One of the most important challenges that we can mount against the color line is an assault on that reality and an effort to realize the “there” that is actually there.