I’ve talked a bit about my peculiar reworking of the geomantic planetary affinities based around my study of Sefer Yetzirah and the alignment of some of my personal gnosis with the Lurianic currents of Kabbalism (main post here, a correction here). While there are logical reasons for these sorts of changes, they also just better articulate the spiritual structures within which my spiritual work unfolds. When I revisited old charts taken to study spirits, they became much more intelligible once I read them in light of these assignments.
“Experience, which destroys innocence, also leads one back to it.”—James Baldwin, No Name in the Street
Placing the distortions I have traced out within the broader Gnostic framework of the Fall, of the separation of self-knowledge from divine knowledge, allows for a better account of what their correction entails. The model of distortion is also a model for how to move toward clarification. Clarification requires appreciating that correction is a moving target, that the world of time does not cease within our lifetime.
Understanding this becomes part of the process of clarification. If you want to reach your goal and the goal is moving, you need to know it is moving.
As I have continued to work with and study geomancy, I have noticed networks of meaning open up between signs. I’m never entirely sure where to position some of these networks. Some seem fairly personal, but others open up to much broader themes. Heck, I guess that’s the nature of things in general. The personal becomes impersonal becomes personal and so on.
The networks are rooted in all kinds of associations, but I want to write about one set that emerged for me between the two Draconises, Puella, and Puer. All of these signs share a common structural feature—they have one passive line and three active lines. As a set, they include all the geomantic signs with this feature.
I usually spend late Saturday morning meditating with a geomantic triplicity. I’ll consecrate a patch of floor, draw out a simple chart for recording two signs, cast for two signs, do the math, then just sit with it. I listen for what the spirits say, I apply my sense of the signs, I make notes, I may look at a few books for amplification. I’d say it is easier than taking a full chart, but I have sat with these triplicities as long (or even longer) as I have sat with many full and complex charts.
Damn, can I rave about this little game for a moment? The way in which it inverts the tropes of a lot of magical literature gracefully, unargumentatively, with sincerity?
That the first spell is about purification and finding a sense of beauty. That the whole game is a delightful testament to Venus-Netzach, to Puella and Amissio.
Seriously, read it (linked at the top of the post). It is only 5 loosely formatted pages.
Notice the lack of hierarchy, beginning with the instruction to avoid the magic shop and its snooty ingredients. Even in teaching, the teacher enters the student’s space as a guest, the student is instructed to practice on their own so that the magic is theirs and not under a teacher’s command. Don’t show off as teacher, trust the student to find their way. The play of truth, trust, secrecy, play, and becoming delights.
The instruction to listen to the work itself, to the ingredients and the space, to find yourself, as a teenage witch girl, within the working. Consider, too, the way in which the apparatus can be changed to dramatic effect–be a teenage witch boy, be an old wizard. Compare this with the Picatrix/Gayat Al-Hakim and its games of dress-up.
Damn. How wonderful the way it throws light upon the force of Venus in so many spiritual operations. When you become that other thing, put on the clothes, you are on Venutian soil. Don’t underestimate that. At all. Venus will make a fool of you. Venus honored crowns foolishness with truth, though.
“That something is a fiction doesn’t make it any less real.”—Teen Witch
This may be the best bit of chaos magic I’ve seen in a bit. That it doesn’t call itself magic is even better.
This is a clever, clever little key.