Boston Public Library: Pansophism in Image and Architecture

On a recent family trip to Boston, we spent some time walking through the McKim Building of the Boston Public Library. I wasn’t at all prepared for how spiritual experience it would be—my sister had suggested it because there were supposed to be some good murals to see. They were that, but the entire structure was wired for sound, built up like a temple as much, or more than, a library. By the time I got to the top floor, to the John Singer Sargent murals, my mind reeled with excitement. This was a place that anchored a peculiarly Euro-American vision in deep and old mysteries that transcend them.

I wonder if the place could be set in motion ritually, set to humming, or if it is primarily a place capable of triggering latent patterns in the person contemplating them, but either way it is an amazing structure. I overlooked the gallery dedicated to time, but hopefully there will be another opportunity. As it is, I want to talk about what I did see and start to unpack the wisdom packed into it. I do so first and foremost for someone who might go to the building and use this to intensify their experience of it. Secondarily, though, I hope that the insights will have some general application even for someone who hasn’t experienced the building.

To do that is going to take quite a long post since I will need to talk about both the exoteric and esoteric dimensions of each gallery. Please, avail yourself of the title links to look at the actual murals; the Boston Public Library has a lot of other material beyond what I’m linking, so let yourself wander a little.

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[NB] Reading around in the Key of Mater, Wolf, and Lucifer

I don’t want to leave this place quiet too long, so how about a smattering of what I have been reading and thinking about ?

In what follows, I am going to engage in numerous comparisons that crisscross well-defined cultural and geographic milieus. I want to talk a little about that before we get going, because the comparative modality can both nourish and starve our spiritual wellsprings. In order to nourish our wellsprings, we need to preserve their singularity, their distinctive character in place and time. Think of the network of comparisons like a net of lights lifted up over the spiritual work in which we are engaged. That net of lights isn’t intended to catch hold of anything. If you take away the net, the mysteries they illumine are still there, invisible in the dark.

Don’t get caught up in these comparisons in order to put a name on something. As soon as the comparisons become a tool for pinning down a commonality between spiritual manifestations, we’re starting to head down a dangerous road that will have us worshiping the words on our tongues and the images in our minds rather than the mystery that stimulates both. If you don’t have a spiritual presence with which you are contemplating these comparisons, well, I guess this will at most be a list of historical curiosities.

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Lords of the Market

[A Story? Perhaps.]

So, okay, the triplicate order post describes a lynchpin of my personal work. If that sounds odd, well here things are going to get even more odd. The work with these spirits qua spirits began amorphously with a series of signs and rites, but has proceeded with increasing clarity to outline a network of potencies that seem entangled with my personal fate and destiny. As the work has unfolded, I can trace hints of it backward, through my early dabbling with magic and into my childhood. I can see it strange fictions I wrote, though inchoately and in odd formations.

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