Shabby Authenticity

I have wanted to pick up a few threads from earlier pieces and weave them together. The discussion of aesthetics and occultism at the end of Phase I and my concern with the disruptive role of capital in spiritual practice come together in this piece focusing on Walter Benjamin’s “The Work of Art in an Age of Mechanical Reproduction.” It also has some connection to the hesitation I have around relying on narrative discourse for a deeper understanding of spiritual experience, too.

Continue reading “Shabby Authenticity”